What the studio has made.

One finished episode and four short-form cuts, written, boarded, voiced and rendered in Karachi. There are no clients yet, so nothing here is client work — it is the studio’s own production, which is the honest thing to show.

The ark run aground on wet rock as the floodwater drains away, sunlight breaking through heavy cloud over a village beyond.

Nuh and the Ark

3:59 · episode one

The studio’s first finished film. Thirty narrated beats, from the call to the ark to the water going down, drawn in a storybook style and cut to a written shot list. English narration with a full subtitle track.

Watch on YouTube

Short-form cuts

Four vertical cuts taken from the same episode and reframed for a phone screen — captions carry the story, because the sound is off more often than it is on.

A figure rendered as pure radiant light beneath a hooded robe, standing above a green river valley under a stormy, sunlit sky.

950 Years

The length of the call, and what it cost. Prophets are shown only as light — never with a face.

Craftsmen building a large wooden ship on dry desert ground beside a small mudbrick village.

A Ship in the Desert

Building an ark on dry land, in front of people who thought it was madness.

A girl in a headscarf reaching out as water rises unexpectedly from a clay oven, under a heavy grey sky.

The Sign

Water coming up out of the oven — the moment the waiting ended.

A figure of light in a white robe, seen from behind, reaching toward the ark through heavy rain and lightning over a dark sea.

The Son

A father calling to a son who would not come aboard. The hardest scene in the episode.

These four are the published versions. A reframed set of nine cuts from the same episode is rendered and not yet out; they go to the YouTube channel as they are released.

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